I hurl out of the yellow cab into
the pounding rain outside. The tyres of cars swoosh through the puddled street,
sending pedestrians skittering and splashing with black briefcases held over
their heads. I run through them, the sound of my heels tip, tapping on the wet
pavement.
“Caaaaaat…..” I cry.
“Cat! Cat! Caaaaaaaaatt!”
That morning I sat down at
breakfast to direct the movie I was starring in at the moment, the movie that
was my life. In it I was Holly Golightly. Pulling up in a yellow cab at Tiffany and Co, wearing an elegant Givenchy evening gown, a pair of elbow length
gloves and nibbling on a Danish pastry. Henry Mancini’s ‘Moon River’ playing dreamily in the background of my mind.
The opening sequence of ‘Breakfast at Tiffany’s’ is a lasting symbol of New York City. The outfit worn by Holly as she peers through the store window has become a Halloween cliché (a side effect of making it as a symbol), and has been
reproduced time and time again in pop culture. It’s
no wonder that it should play out in my dreams as I
imagine my exchange to New York.
Pop culture series by Designcrowd |
Pop culture series by Designcrowd |
Breakfast is Tiffany - Hollywood is Dead |
A scene from the CWs Gossip Girl |
I can’t help but find it ironic
however, that a symbol so integral to New York's self image, was also entirely manufactured
by Hollywood. This 1960’s snapshot has been responsible for thousands of tourists, who have nibbled on their own croissant outside Tiffany’s. Little do they know that Audrey hated
pastries so much, the opening scene had to be re-shot over and over as she
tried not to gag.
Wouldn’t we all like to be a little
like Holly? Considering the trail of fashionable
female New Yorkers following in her footsteps, from Carrie Bradshaw in Sex
and the City to Andy in The Devil
Wears Prada, the answer is undoubtedly yes. Holly Golightly is not just a symbol, she’s an icon.
Xx
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